JOSHUA SIN
In 2024,
SATIRE
Where Silicon Valley meets the runway in a biting theatrical spectacle that pulls back the curtain on our obsession with progress at any cost. This groundbreaking performance begins as a sleek, corporate keynote and fashion brand launch – complete with all the polished veneer of a tech giant's product reveal – only to spiral into a surreal nightmare that challenges everything we think we know about consumption, innovation, and artificial intelligence.
We envision a utopia where limitless empathy, relentless innovation, and unwavering sustainability guide every soul towards transcendence.
The Procession
The boundaries between brands and religion have become increasingly blurred, with retail spaces transforming into modern temples of worship and brand iconography taking on religious symbolism. This collection examines the intersection of religious ceremonies and fashion, exploring how consumer culture has adopted sacred characteristics.
The Exploitation
The second chapter investigates how corporations excavate cultural heritage for profit, revealing the uneasy fusion of consumerism and cultural appropriation. It demonstrates how brands mine and repurpose traditional narratives and materials in their pursuit of market relevance.
The Rebellion
The final act unfolds as rebellion incarnate, as an army of restless spirits and undulating shadows storms the stage. These ethereal forces rise up in furious defiance, waging war against the very essence of loss itself.
2025 Just Playin' Around - Jordan Schnitzer Museum of Art at PSU
Image Credit: Courtesy of the Jordan Schnitzer Museum of Art at PSU, Mario Gallucci
joshsin@gmail.com
© 2022 Joshua Sin
All Rights Reserved
© 2022 Joshua Sin
All Rights Reserved
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